Sol Magazine
www.sol-magazine.org
May 2004 Edition
 © 2004 Sol Magazine


Sol Magazine, A Poetry Journal:    An international organization of Members and Volunteers interested in the education of poets.  E-mail us at Sol.Magazine@prodigy.net .  For Submission Requirements and Membership information, visit: http://www.sol-magazine.org.
 

SPONSORS:
SOL MAGAZINE

JUDGES:
SUZANNE C. COLE
PAULA MARIE BENTLEY
MARY BURLINGAME
CRAIG TIGERMAN
BETTY ANN WHITNEY


DEDICATION: Virginia Carrine Hall Irby 
December 21, 1918 — April 17, 2004.  
"Embrace the ones you love."

FEATURED ARTICLES - May
Note: These links are on separate web pages and will exit you from the current edition.
  • Grammar Rules!: "It’s Not Always It’s"
  • Poetry +: Arthur W. Seeley
  • CONTENTS of this page:

    LETTERS (Some notes may be lightly edited.)
    FROM -- SJ BALDOCK:  I got my first of SIX books today from Barnes and Noble; had two gift certificates to cash in and discovered B&N has a "books for under $5" offering.  We're having a family reunion next week and I'm providing the reading material.  Couldn't have done it w/o you ...



    LAGNIAPPE:  FRONTIERS OF THE HEART
    FRONTIERS OF THE HEART
    JUDGE:  SUZANNE C. COLE
    SPONSOR:  SOL MAGAZINE
    FORM: NARRATIVE POEM

    FIRST PLACE
    WINNER OF A $10.00 ELECTRONIC BOOK GIFT CERTIFICATE

    To a Cherokee Ancestor

    She was a strong woman, we know that. We remember
    It in our bones. She was a handsome woman: we see it in
    Our mirrors and the shifting planes of each other’s faces.

    Some warm Tennessee night, she lay down and said Yes
    To a fair-skinned man from a foreign land, and rose carrying
    Us in the cradle of her hips. True love? Tradition says so.

    Not even her name remains to us, lost in the careless spill
    Of history … we have kept only the echo of my
    Grandmother’s stories, the dark wings of my mother’s hair.

    Elizabeth Barrette, Charleston, IL, USA

    COMMENTS:  Strong poem, evocative of....  Excellent development from the "facts" of genetic memory into what the poetic imagination makes of those bits of duplicated DNA.   The phrase, "careless spill of history" both echoes and contrasts "shifting planes" (with its superb pun, the "plains" as they must have seemed to shift for Native Americans).  The poem beautifully blurs the line between what must have been and what might have been.
    ============
    SECOND PLACE
    There Were Reasons

    A cold miasma crept over the low land, weaving
    a spell over tall pine brakes and bringing a season
    of death to a small, unpainted shack.

    A house of five boys now had only a mother to care
    for them; one, only ten days old, would never know
    a father's love.  He would know privation and work.

    Escaping at last from the small fields of cotton
    dotting the newly-plaid spread of forest, he labored
    in other fields and fought other wars all his life.

    Lynne Craig, Terrell, TX  USA

    COMMENTS:  This poem is haunting in part because the poet doesn't tell us everything--we don't know who the ancestor was, what the miasma was nor the other fields and other wars--but we can guess.  Effective ambiguity. "Newly-plaid" forests is beautifully descriptive of the alternating patches of forest and newly-cleared land.
    ============
    THIRD PLACE
    My Grandmother
     
    wore bonnets with backs flat as toast, rode in buggies,
    chopped cotton, baked kolaches, strudels, bread,
    picked eggs, churned butter, cranked washed clothes

    through a wringer in the yard, raised six children.
    When drought struck, when the black earth burned
    and bolls withered, when nothing but zinnias

    grew tall and red as the evening sun, she crumbled
    the cracked earth between her fingers, whispered
    mournfully in Czech, jej danecky, and kept on working.

    Carol K. Cotten, Galveston, TX, USA

    COMMENTS:  Excellent mini-biography; concrete details vividly portray this turn-of-the-century woman as well as the misery of the drought when the earth "burns" and only zinnias grow.  Despite setbacks, she endures, showing an example of real strength to the reader.
    POET'S NOTE:  "Jej danecky" is a common Czech phrase that translates to English as “Oh, my goodness.”  It is pronounced "yea’ da netch’ key."
    ============
    OTHER POEMS COMMENTED UPON BY OUR JUDGE AND/OR EDITORS
    ============
    Potato Famine, Connamar, Ireland

    Turning points in living can often result from avoiding unbearable strife. Deciding not to watch his family starve was the turning point of my Irish great grandfather’s life. You see, a man can only tolerate so much pain.

    Thousands of stone-walled houses, roofs of sod long since collapsed and gone, represent corner stones of that dreadful, desperate, unthinkable decision. Perhaps they did not blame him, or did, but what’s it matter now?

    Had he not walked away and found his new wife in far Indiana, America, I would not be. When he lost that second wife and his only child learned what he had done before, she fled far away with my Irish grandfather.  I ache for them all.

    Warner D. Conarton, Zephyrhills, FL, USA
    COMMENTS:  Difficult topic well expressed with understanding.
    ============
    Machinist

    He wore his shoes over one shoulder
    protecting their leather soles from wear
    instead of his own.

    And mended his tattered garments
    so that each ruble could travel home
    to feed his family.

    Until he arrived in America, and found
    a way to weave his family back together again
    in the Lawrence mills.

    Diane Davis, Chelmsford, MA, USA
    COMMENTS:  Excellent detail of carrying his shoes on his shoulder to protect their soles instead of his bare feet.  Good use of  the verb "weave" to describe bringing his family together again through a job in the mills.
    ============
    Passages

    A redheaded girl came from Ireland
    With her father and her brother
    Crossing the Atlantic to a new life.

    The boy died on the voyage across;
    Only two stepped ashore in Philadelphia
    Tears of grief melting into relief.

    Through those tears could she foresee
    Husband, daughters, their ten offspring, and
    This great-granddaughter bearing her name?

    Mary E. Gray, Newport News, VA, USA
    COMMENTS:   The clever title refers to the ocean voyage, the turning point in the surviving child's life, and her future "passages" as wife, mother and ancestor of the poet.  Strong last stanza beautifully ends this narrative.
    ============
    Pink and Red

    Gathering eggs and firewood, tending a little sister--
    plenty to keep a boy busy. But Pink was five,
    and heaven to him was seeing what would happen if . . . .

    Grandmother was four, a willing assistant to anything.
    Bring the ax, he said, and put your head on the block.
    Her long, red braid was thick. Much later I saw the scar.

    She carried a little child on her hip for years --
    as a sister, mother, grandmother, protector. I carry her
    in my mind--hip to one side; thick red hair; and that air.

    Avonne Griffin, Greer, SC, USA
    COMMENTS:   The first five lines of this interesting poem build quickly from describing the common situation of an older child watching after a younger sibling to a chilling climax.  "That air" is mysterious.
    ============
    Crushed Rock

    When December hardened football fields, before Christmas,
    my parent’s address changed. My Dad in shock--
    six children--buried the rock of our family.

    Devoured by cancer, we watched her wane away;
    two years she laid in daze--alert enough
    to watch wall clock for nurses appearance and painkillers.

    Her youngest daughter, only six, and dressed in red;
    ushered via the back staircase.  “Beautiful,” Mom said.
    She closed both eyes and made us motherless daughters.

    Carol Dee Meeks, Artesia, NM, USA
    COMMENTS:  The title brutally condemns the force that "crushed" the mother, the rock of a family.  The last stanza makes excellent use of color symbolism; the daughter is "ushered" into the sickroom dressed, not as we expect, in black, the color of ushers and death, but in red, the color of passion and sacrifice, giving the mother one last glimpse of beauty before her death.  Touching story that moves the reader into the tale without saying what to feel.  Well done!
    ============
    From a Distance

    She became Millay, on stage pointing to mountains unseen.
    Hinged between aloofness and indifference, her mind
    chattered, she spoke in frozen glares and too quick grins--

    the sister I followed to the roof; where nothing mattered
    except Elvis and shooting stars, the sister who would say
    don't be afraid of dark, monsters are only in your head.

    The nurse announced our visit over, she shrugged,
    and stepped out of her slippers--I'll lie and look my fill
    into the sky. All at once things seemed so small.

    Judith Schiele, Brandon, MS, USA
    COMMENTS:   This poem's first stanza employs excellent diction for describing mental confusion-- a mind which "chatters" and is "hinged between aloofness and indifference," speaking with "frozen glares and too-quick grins."  The second stanza, its coziness rooted in the comfort of the past, contrasts painfully with the third stanza, the current reality.  Nicely done.
    ============
    Sounds of Life

    Mississippi, July 1863.
    The battlefield was a colonel's abandoned estate,
    the prize a well of water.

    There were other prizes in the house itself--
    "Carpets, mirrors, and a fine piano."
    A little was saved when the defenders burned the house.

    They brought the piano to the breastworks,
    and there, "paying no attention to the shells,"
    they enjoyed the sounds of life amid the sounds of death.

    Katherine Swarts, Houston, TX, USA
    COMMENTS:  The "prize" of a Civil War battle turns out to be not so much a well and its water, however necessary for life, but the piano, necessary to the soul, a sound of beauty amidst the sounds of battle.  Lovely well-written idea.
    POET'S NOTE:  My great-grandfather, Douglas John Cater, a Confederate soldier during the Civil War, was the pianist who played the "sounds of life." This anecdote (with the quotes) is taken from his memoirs, which one of his grandsons published in 1970 under the title, "As It Was.

    Back to contents


    CLICHÉD MUSE

    Cliche: Blessing in disguise
    Re-write: Wrapped in brown paper

    Surprise!

    Fate delivered it, wrapped in brown paper,
    smudged with ink, tied with half-rotten string--
    had to cut through my heart in the opening--
    but what rainbow-wrapped treasures within!

    Katherine Swarts, Houston, TX, USA
     


    EDITOR'S CHOICE

    Autumn’s Seeds in Rafts

    Pleasant, autumn afternoon--snow coming soon and
    best friend's bringing seeds of herbs.
    Comparing verbs, Walt Whitman and me,
    to geniuses of thyme and rosemary;
    their aromatic appeal like rhythm in stanzas.

    We plant the rows at garage
    back door, the light to shine for food.  In autumn’s
    beauty, we shake their booty, the prize will change
    our mood.  A medicine, a seasoning, a scent,
    and English lesson of time will spent.

    I want flowers of blue, he craves spices
    that’s true in odes with lines short and long.
    My flowers wither, his work lingers, studied
    by those who yen to pen his craft.  He masters
    words like rafts riding river’s rifts.

    Carol Dee Meeks, Artesia, NM, USA
    COMMENTS:  Alliteration and rhyme create sound echoes throughout this lively work.  Powerful images awaken the senses.  Wonderful title!

    Sol Magazine's editors choose one favorite poem each month for the honor of EDITOR'S CHOICE.  No prize is associated with this, but each EDITOR'S CHOICE will be automatically entered in the FAVORITE POEM OF THE YEAR 2004 competition, voted on by Sol Magazine Members at the end of the year.
     

    Back to contents


    AN OLD COUNTRY FENCE
    FORM: ACROSTIC
    JUDGES: CRAIG TIGERMAN, MARY BURLINGAME
    SPONSOR:  SOL MAGAZINE

    FIRST PLACE
    WINNER OF A $10.00 ELECTRONIC BOOK GIFT CERTIFICATE

    acrostic:  separation

    Weathered Fence
     
    So here we stand muted,
    Each alone with worry,
    Parted by gray pickets.
    After all these years unable to
    Reach across sepia silences,
    And in this indigo sorrow
    The unsaid can bruise and ache.
    I wish these rusted hinges
    Open, still we stand in silent
    Need against this wordless gate.
     
    Kathy Paupore, Kingsford, MI, USA
    COMMENTS: This poem reveals the starkness and depth of division, a message that may be universally applied.   The two people could be lovers, neighbors, or they could represent nations or races.  Well crafted poem.  Wonderfully descriptive word choices.  Perfectly on-topic yet focused on the human element, not the fence itself. Pleasingly short verses make for excellent economy of words.
    ============
    SECOND PLACE
    acrostic:  neglected
    Ebby's World

    Needs paint, the falling down fence around Mama’s grave, but
    Ebby doesn’t have enough pennies in her bank to buy a
    Gallon of whitewash at Buck’s hardware.  Not
    Likely Paw will give her the money.  Disability checks are
    Earmarked for booze.  Booze and fifty-pound sacks of
    Chicken feed.  Feed the chickens.  Sell the eggs so
    They don’t go hungry.  Hate the monotony of
    Eggs - scrambled or fried - for breakfast, lunch and dinner.
    Dream of a white picket fence … of meat … of potatoes.

    SJ Baldock, Lancaster, TX, USA

    COMMENTS: This poem is a brief sketch of Ebby's life, but in it, there is so much detail of how she is neglected. The poem tells a story and sets up real characters that live beyond the lines of the poem.  Multiple meanings in the acrostic: not just the fence is neglected. Haunting study of poverty and addiction.
    ============
    THIRD PLACE

    acrostic:  remember

    Between Time and Time Again

    Roses swarm madly over graying pickets
    Eroding under time’s ticking markers.
    Magic again comes to waken fields with vari-greens.
    Embers, long cold, answer with no flicker,
    Make no move to resurrect conquered walls.
    Beyond pity are those who settle in dead memories,
    Expecting today to be yesterday.  But roses there are,
    Reminding travelers of beauties that once were.

    Lynne Craig, Terrell, TX, USA

    COMMENTS:  Interesting approach to the chosen topic.  Lovely word-portrait inviting the reader's imagination to wander through the scene, wistfully and gracefully rendered.
    ============
    HONORABLE MENTION

    acrostic:  legacy

    Basket Weaver
     
    Lovely baskets woven
    Eighty years ago when Grandmother
    Gathered honeysuckle vines from her old country fence
    Always whisper to me, "You, too
    Can survive scarcities of life
    You make do."
     
    Kay Lay Earnest, Smyrna, GA, USA
    COMMENTS:  Like the basket it describes, the message of this poem is simple and sturdy.  Making do with what you have is a message that lasts through the years.  Nice ending lines sum up the poem in a philosophical way.  Great lesson in human tenacity.
     

    Back to contents


    ROSEMARY & THYME:  HERB GARDENS
    JUDGES:  PAULA MARIE BENTLEY, BETTY ANN WHITNEY
    SPONSOR:  SOL MAGAZINE
    FORM: NARRATIVE POEM

    FIRST PLACE

    WINNER OF A $10.00 ELECTRONIC BOOK GIFT CERTIFICATE

    Autumn’s Seeds in Rafts

    Pleasant, autumn afternoon--snow coming soon and
    best friend's bringing seeds of herbs.
    Comparing verbs, Walt Whitman and me,
    to geniuses of thyme and rosemary;
    their aromatic appeal like rhythm in stanzas.

    We plant the rows at garage
    back door, the light to shine for food.  In autumn’s
    beauty, we shake their booty, the prize will change
    our mood.  A medicine, a seasoning, a scent,
    and English lesson of time will spent.

    I want flowers of blue, he craves spices
    that’s true in odes with lines short and long.
    My flowers wither, his work lingers, studied
    by those who yen to pen his craft.  He masters
    words like rafts riding river’s rifts.

    Carol Dee Meeks, Artesia, NM, USA

    COMMENTS:  Alliteration and rhyme create sound echoes throughout this lively work.  Powerful images awaken the senses.  Wonderful title!
    ============
    HONORABLE MENTION

    Bequeathed

    Cinnamon child
    Running wild across
    The springtime pasture
    Pauses to pick a
    Wildflower posy

    Saffron hair
    Dances on air, a
    Mass of tangled
    Curls swirling
    Behind her

    Cinnamon child
    Raging wildfire of my heart
    Goldenseal forever binding
    -- Though you call another
    Mother ... I am she

    SJ Baldock, Lancaster, TX, USA
    COMMENTS:  Brief lines of action and sharp imagery support a sense of energy beyond the narrator's voice.  Lovely picture.  Nicely written.
    ============
    HONORABLE MENTION

    It’s the Herbs that Might Save Us

    In a world full of lettuce
    it’s the herbs that might save us
    from nothing but piles of dull food on the table.
    So I’ll grow some herbs
    as long as I’m able.

    in a world full of half-truths
    perhaps the truth could be there in a verse.
    For nothing is added, it’s all short and sweet,
    with every bit counting
    like herbs flavor meat.

    In a world full of sameness
    it is thoughts that might save us
    from nothing but lots of dull talk round the table.
    So I’ll write some poems
    as long as I’m able.

    Colin William Campbell, Kunming, YP, CHN
    COMMENTS:  Interesting and well crafted, similar lines and phrases act as a bridge between the stanzas.
    ============
    OTHER POEMS COMMENTED UPON BY OUR JUDGES AND/OR EDITORS
    ============
    The Way from a Woman's Heart

    Here is where my roots are, this little patch of earth,
    This dab of grass and trees amidst green fields,
    This white house with all its nooks and crannies.
    Here is the heart of who I am, made from whatever
    Comes to hand, rambling, untidy, tenacious.

    I saw this old cistern filled with dirt long ago, the song
    Of toads far below now changed to the drone of bees
    At knee-height. After winter’s long night of snow-lit work,
    I stir and stretch in spring’s warm showers as the herbs
    Peek through dead leaves and renew themselves.

    When I sink my hands into the soft soil, it sustains me
    In ways beyond the reach of words. The touch of leaves
    Against my cheek renews my spirit, and the breeze blowing
    Through becomes my breath, my inspiration. When I cook
    With these herbs, beloved, you taste my nature.

    Elizabeth Barrette, Charleston, IL, USA
    COMMENTS:  These strongly poetical free verses are expressed with a painterly and sensual style.  Excellent writing, well-developed theme.
    ============
    New Life

    My garden hums ancient chants as I
    Turn sun-warmed sod to receive new life
    Tuck in seeds then await their arrival
    Confident as when I was an expectant mother
    Knowing that age-old rituals succeed

    My garden hums ancient chants as I
    Water and watch for signs the birth of
    Cilantro, sage, parsley, and rosemary
    Pause to listen to White-wing Doves speak
    Stitch sounds and sights into my writer memory

    I hum ancient chants as I
    Buzz around snipping herbs
    To enhance family meals and poems
    Then ponder over plans to store seeds and lyrics
    For repetition of next year's spring ritual

    Lois Lay Castiglioni, Galveston, TX, USA
    COMMENTS:  Visually and audibly interesting figurative language.  Repeated sounds throughout create interest and a sense of unity.
    ============
    Files and Files of Notes

    Seeds scattered here, scattered there,
    on an oily shelf in the garage,
    or in a box under other boxes of junk,
    they wait to be planted.  Like these rue seeds.
    How I rue the garden I might have produced.

    Here’s a packet of thyme in this box…
    Yes, I am running out of time.
    If I were as frugal as sage plants, I would use
    what I have, and perhaps words as aromatic as parsley
    would accidentally slip from my pen as these seeds
    fall among tools stacked by the garage door.

    I could say that during droughts of past troubles,
    there were no cool streams of unharried time,
    no clear sight with which to toss together, like a pungent
    watercress salad, a body of work that might bloom
    as though touched by immortal tansy.  But I know better.

    Lynne Craig, Terrell, TX, USA
    COMMENTS:  Metaphorically clear images and ideas.
    ============
    Picante

    To watch the cilantro spread out and grow,
    You’d never guess
    That patch of dirt lay fallow for years
    The fussy herbs didn’t come up this spring
    Only the spicy, aggressive ones are thriving.

    Four years in recovery, the only
    Glimpse of hope a shimmer of humor
    So black it had its own gravity sink
    Living in a pine cold frame, a lonely
    Covering of fallow dreams for company.

    After so long untended, of course
    Only the strongest, spiciest, weediest bits remain.
    No flowers; recovery isn’t compatible with gentleness,
    Being a warrior’s occupation.  We survived, but
    We are a bit strong for the palate.

    Heather Jensen, Cheyenne, WY, USA
    COMMENTS:  Imagistic and thought-provoking human experience, expressed in a way that reaches up and grabs the reader's attention.  Nicely done.
    ============
    What Grows In Small Spaces
     
    Under the window, in a box, tangle
    lemon balm, sage, thyme, confined
    to wander in a small space like
    my mind.  Thyme creeps through
    knotted thought, escapes
     
    boundaries, thrives.  Lemon balm
    reaches skyward, scent to soothe
    this restlessness inside.  Sage exhales
    mint, weeds my mind's soil. Like herbs,
    reflection grows in small spaces.
     
    Kathy Paupore, Kingsford, MI, USA
    COMMENTS:  Lovely writing that uses an extended metaphor with language as soothing as the topic.
    ============
    Heart of the Garden

    I plant my garden with mint;
    I turn each plant in gently, with a tender hand.
    I dare not use a trowel, lest the herbs crumble:
    tender and sensitive as they are,
    the slightest rough treatment could destroy them.

    When the mint is mature,
    I pick the herbs and heat a few for tea.
    I dare not use too much, lest the delicate flavor
    turn to an overpowering intoxication.
    An overdose of good can do harm.

    As with the garden, so with the soul--
    my heart is sensitive to rough treatment,
    my heart is a haven for deep feelings.
    Like mint, the herbs of the heart
    can make your eyes water.

    Katherine Swarts, Houston, TX, USA
    COMMENTS:  Sweetly sentimental, with a tender heart.
     

    Back to contents
     



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