Membership Information and Submission Guidelines are posted at:
http://www.sol.magazine.org/rqmts.htm
FEATURED ARTICLES
Note: These links are on separate web pages and will exit you from the current edition.
|
SPONSORS:
JEN PLANXTY
AMAZE: THE CINQUAIN JOURNAL
FORT WORTH HAIKU SOCIETY
JUDGES:
LYNETTE BOWEN
KATHY LIPPARD COBB
LISA JANICE COHEN
DEBORAH P. KOLODJI
JEN PLANXTY
CLIFF THOMAS ROBERTS
SOL STAFF
LETTERS - The following letters may be lightly edited. |
FROM -- TED O. BADGER: Thanks for publishing the warning about the Poetry Sharks! So many poets have been duped by these outfits. (Ted Badger is editor of "Lucidity," a poetry journal. Write to tedbadger1@yahoo.com for Submission Guidelines or subscription information.) |
FROM -- CLAIBORNE S. WALSH:
Yea! : ) <doing the happy dance>
(Claiborne won 1st place in an October competition.) |
FROM -- SJ BALDOCK: October's
Clichéd Muse (Snail Mail) was delightful. "Fools fear freight; the
wise insure." So true. So WICKEDLY true! Barrette is
a punster extraordinaire. I'm glad you added The Clichéd Muse
to the magazine and can hardly wait to see what someone comes up with for
November.
(Ironically, SJ Baldock's own excellent Clichéd Muse, "Generations Recycled," was the November winner.) |
FROM -- JEN GALVIN: I love your poetry contests and hope to participate in many more this coming year. :-) |
FROM -- REBECCA ROWE: I enjoy your magazine so much! |
FROM -- SHANNON RIGGS: I must say, I have learned more from my participation at Sol than I ever learned in school. |
FIRST PLACE - Winner of a copy of "Amaze: The Cinquain Journal."
In the ValleyCOMMENTS: This lovely cinquain combines strong images with solid use of language, with a subtle approach to the topic. A unique twist on the old concept of being grateful for being alive. Nice image where the purest of white flowers is crimson-tipped - bringing to mind the staining of innocents, as well as a direct nod to the concept of red for bravery in the flag of the United States of America. Well-chosen words bring a great sense of power to this poem, and it flows well, with alliteration on the "gr" sounds, and internal alliteration on the "s" sounds. Each line is well constructed and the end-words on each line work well together. A winner!Lilies,
crimson-tipped, grace
lost graves of patriots
who served in forgotten battles,
unthanked.Lynne Craig, Terrell, TX, USA
Hunting SeasonCOMMENTS: Wonderful rich images fill this five line vivid tableau. Wonderful opening slightly onomatopoeic image, and an excellent concept in the personification of "awakens dawn," as short, harsh consonant sounds of the first line awaken the reader's attention. An interesting contrast here between hunter and hunted, mingled with reminders that at any moment we could become the hunted. Nice kinetic verbs and actions give this a sense of alertness, tautness. Good internal alliteration. The word choices throughout this Cinquain effectively convey the theme.Buck snort
awakens dawn
the bow drawn tight quivers
releases, I tremble, thankful
for life.Kathy Paupore, Kingsford, MI, USA
FreedomCOMMENTS: Interesting repetition of "un" words here serves to further emphasize the way things could be and are for so many people. Lovely lyricism in "swaying fields," and a gentle switch of standard diction in the closing phrase. This poem appeals well on an emotional level. When read aloud, the alliteration and assonance in the final line underline the poet's message.Thankful
to walk swaying
fields, footsteps unhindered
and to speak in uncensored words
my mind.James M. Thompson, Baytown, TX, USA
November NocturneCOMMENTS: The reader is immediately swept into this poem with subtle assonance and alliteration. Almost prayerful, this is simple, yet direct in its simplicity. Lyrical, brings to mind a crystal-clear, frost-scented autumn evening, and serves as a meditation on how to be thankful for the simplest things. Beautifully chosen words.Beauty
of autumn night
moon a bright golden globe.
Grateful, I raise my solemn voice
in song.Jeanette Oestermyer, Roswell, NM, USA
96 and CountingCOMMENTS: The use of humor creates a rich word-portrait of "Granny," and the title effectively adds a sixth line to this little gem. Smile-provoking, it's also directly true in this poem, a reminder that it's okay to be thankful for the simple things that make our everyday lives livable. Nice use of roundabout phrasings to avoid repetition of standard phrases like "Thanksgiving Day" - here, it becomes "...the / Third Thursday of / November." Effectively uses humor.On the
Third Thursday of
November, Granny gives
Thanks for mail-order teeth and minced
TurkeyLois Lay Castiglioni Galveston, TX, USA
Prayer,
thanks to our God.
Fire burned through our home,
still left, the best part of this life...
family.
Jim Applegate, Roswell, NM, USA
COMMENTS: The truest thing to be thankful for. A
reminder that our lives should focus on the most important things of life
- the love and lives of those nearest and dearest to us.
============
Reprieve
Give thanks
For remission...
Another holiday
Spent cancer free with family
And friends.
SJ Baldock, Lancaster, TX, USA
COMMENTS: Appealing natural diction, with a fitting title to
round out the poem. Thanks are given both for something that exists
and something that no longer exists; it provides an interesting parallel,
as well as helps underscore the valuable nature of what does exist.
Well-sketched, and meaningful in very few words. This poem captures
a sentiment that every cancer-survivor and friends of cancer-survivors
can identify with.
============
Filling Grateful
The job
I love puts food
on the table and warmth
in my heart. Somehow, "Thanks" is not
enough.
Elizabeth Barrette, Charleston, IL, USA
COMMENTS: Clever wordplay with the title. A sentiment echoed
by all who truly love their jobs, as well as a reminder that even if there
are difficult days, in the end, the food is on the table and warmth is
in our hearts as we sit down with family and friends. Closing lines
say it all.
============
November Renewal
Talk, talk--
the clan is here again
revelling fellowship.
I'm thankful for this Thanksgiving Day
and love.
Roberta Pipes Bowman, Fort Worth, TX
COMMENTS: This could be every family with a wonderful warm chatter
of souls to fill a home each year, "revelling friendship." Good choice
of the word "clan" instead of the more standard "family" to help link present
with past.
============
Contentment
Alone,
just two sharing
abbreviated feast.
Holding hands, they pray, grateful for
what is.
SuzAnne C. Cole, Houston, TX, USA
COMMENTS: Concise, true to spirit, and meaningful. "Grateful
for what is" describes what should be the hoped-for state of mind of all
of us during the holiday season. Lyrical in its simplicity.
A nice interpretation of the theme.
============
Thanks to My Muse
You give
from your heart depths
love with each beat, passion
with each tender breath on my neck.
Words fail.
Betty Dobson, Halifax, NS, CAN
COMMENTS: This can be read two different ways - one, as a tribute
to the elusive and ethereal Muse all poets and writers strive to mesh with
- and two, as a tribute to the very real and very present love or inspiration
in one's life. Either way it is read, it's a wonderful tribute, truly
tender and full of love. Wonderful closing line. Enjambment
is used effectively without leaving dangling articles of speech on the
ends of lines. Nicely done!
============
Tables Turned
Turkey
smells delicious
Not a bite do I eat
on the way to the soup kitchen
Hungry
Jennifer Galvin, Stafford, VA, USA
COMMENTS: Clever title highlights the poem. The theme of
'giving thanks' is implied here in the contrast between the narrator and
the soup kitchen. A point we'd all do well to remember. Truly a way
to put oneself in another's shoes.
============
Legacy
Children,
children from shore
to shore, decorate, eat,
chase each other laughing because
you can!
Avonne Griffin, Greer, SC, USA
COMMENTS: Full of love and life, this one bounds off the page
with childlike glee and joy. Closing line - "because you can" - is
somberly appropriate to an adult reader simply because we understand how
precious is that ability. Well done.
============
Navy Wife, Post-War Thanksgiving
"Come home,"
my sole prayer, and
my sailor passed unscathed
through mines and Tomahawks. Humbly:
"Thank You."
Shannon Riggs, Victoria, BC, CAN
COMMENTS: Good use of details to illuminate the precise cause
of thankfulness in this instance. Simple, direct and heartwarming.
============
Source of Pride
My girls
studied hard to
make the school honor roll.
I am thankful for their scholastic
talents.
Eileen Sateriale, Bowie, MD, USA
COMMENTS: A mother has almost no equal when it comes to pride
and thankfulness. This is a wonderful tribute to the
hard work of two children, and the pride a mother feels.
============
Traffic
Thank you
for letting me
cry on your soft shoulder.
If you want to run over me,
I yield.
George Stateson, Grand Prairie, TX, USA
COMMENTS: Almost pleading in its directness, this is a cry from
heart to heart, and a unique form of thanks. Nice details, and good
images.
============
Thanksgiving Dinner
No one
wants to spend hours
cooking for Thanksgiving
and repeat next month. Thank God for
potluck.
Katherine Swarts, Houston, TX, USA
COMMENTS: This poem has a funny twist on what one is thankful
for and a good illustration of how that can vary widely depending on the
situation.
============
God's Most Precious Gift
My child
bearing a child
a child I shall adore!
Giving thanks with a happy heart,
I soar!
Daisy Autry Worrock, Abingdon, VA, USA
COMMENTS: Although rhyme is not generally part of the Cinquain
form, this one is appealing and has an appropriately "nursery rhyme" aesthetic.
Full of pure joy and love, this is thanks in its most delightful form.
FIRST PLACE - Winner of a copy of "How to Haiku," by Bruce Ross.
side of mountainCOMMENTS: This haiku is unswerving in is simplicity and yet quite profound. Loneliness and hope grow together from the slanted mountain. Here is the one tree left unchosen because of it's unattractiveness, which is the very thing that has saved it. From this one tree, perhaps, more will grow.
single shriveled pine
still standingKatherine Swarts, Houston, TX, USA
pine coneCOMMENTS: A lonely cold verse. The word 'cone' in the first line seems to link with 'skitter' in the second and 'winds' in the third equating to the possibility of 'cold' 'bitter' winds. There is also the lonely sound of bare branches rubbing together. All combine to make an effective and visceral Haiku. Beautifully done and memorable duality in the automatic mental image evoked by the mention of a pine cone, and the reality of a skeleton pine cone.
skeletons skitter in
winter windsLois Lay Castiglioni, Galveston, TX, USA
fog clearingCOMMENTS: Wonderful natural unveiling of this straightforward Haiku moment. The uncluttered lines and direct treatment of each natural object exemplify the best of what one might look for in a Haiku.
pine needles shine
ice slowly meltsJim Applegate, Roswell, NM, USA
red flashes on trunk
drumming flicker hollows holes
in graying pine tree
SuzAnne C. Cole, Houston, TX, USA
COMMENTS: Beautifully done Haiku. This piece suggests a
woodpecker without using the word, allowing the important interaction of
the reader to supply the details. Fine writing. Color adds
a nice sensual touch, as does the movement of the bird, and the sound adds
to the moment.
===========
HONORABLE MENTION - Winner of a celestial bookmark.
needles splay
cones quake
one lone pine
Avonne Griffin, Greer, SC, USA
COMMENTS: Presented here is the potential for other pine trees
to be born from this one. A hopeful Haiku moment. Nice touch
in the plurality of the pine cones and the single tree.
===========
OTHER HAIKU COMMENTED UPON BY OUR JUDGE AND/OR OUR EDITORS
===========
Game plays in forests
Tossed down from boughs overhead
Pine needle jackstraws
SJ Baldock, Lancaster, TX, USA
COMMENTS: A vivid portrayal of the unexpected hazards of woodland
life. A unique comparison used in this triplet of lines.
===========
Burnt sienna leaves
Squirrels scurrying down plains
clutching nuts of pine
Aparna Belapurkar, London, EG, GBR
COMMENTS: Evokes a wonderful world of color and life.
===========
Pine garlands
poinsetta starbursts
Christmas bells
Roberta Pipes Bowman, Fort Worth, TX, USA
COMMENTS: An exquisite collection of holiday decorations.
===========
Twilight canopy
lost pines grow in coastal heat
blankets of needles
Lynne Craig, Terrell, TX, USA
COMMENTS: This nicely done Haiku brings a lovely vision of a
twilight canopy, the sultry feeling of the heat and the scent of fragrant
pine. A wonderful cornucopia for the senses.
===========
we gather around
scented pine memories wrap
years inside one day
Betty Dobson, Halifax, NS, CAN
COMMENTS: A well captured holiday verse which nearly everyone can identify
with.
===========
breeze blowing
spindly pines
harp notes
Kay Earnest, Smyrna, GA, USA
COMMENTS: Part of what makes this excellent Haiku interesting is the
vagueness of whether there is an actual harp being played somewhere.
Or is this the sound of the wind through the boughs?
===========
pink mittens poke
shake snow out of pinecones
for our Christmas wreath
Tanya Larson-Spahmann, Kamloops, BC, CAN
COMMENTS: Pink, white and green offer a nostalgic homey look
towards the coming season.
===========
Christmas morning
empty wrapping paper
under pale pine boughs
Kathy Paupore, Kingsford, MI, USA
COMMENTS: A universal image brought to life. An implied
connection between the boughs and the wrapping paper undoubtedly created
from a tree.
===========
blinding white blanket
Christmas day snowfall covers
majestic pine trees
Eileen Sateriale, Bowie, MD, USA
COMMENTS: Brings a childlike wonder to this silent and stunning
moment.
===========
pine needles
cover his footprints
dark forest
James M. Thompson, Baytown, TX, USA
COMMENTS: There is something slightly dark, sinister and expectant
lurking in the said and unsaid of this verse. Whose footprints? Perhaps
a hunter, for they are not pawprints or hoofprints. Beautifully said.
===========
Cardinals crowd pines
Swell of red in green ocean
Bird feeders filled
Tony A. Thompson, Lufkin, TX, USA
COMMENTS: An image many can see outside their window and others
would like to. Precisely captured. Beautiful picture.
NOTE TO READERS: When these poems were judged, in order to impose a true "blind" judging, we temporarily changed the names in the titles, for in some instances a poet's name and a title were the same. The titles here have been restored to the original.============
Olivia Lin CastiglioniCOMMENTS: This intriguing poem makes full use of the Who, When, Where, Why, and What of the narrative poem form, yet is imbued with a captured stillness, almost as if a candid photo had been taken of the event. The crane imagery at the end of the poem supports the transitional feeling of the poem, as well as the point where two societies meet.May 31, 2003, Olivia Lin Castiglioni age one
Arrived in Austin, Texas
With one of the last groups approved for travel
Before adoptions were suspended
Due to the lethal Severe Acute
Respiratory Syndrome (SARS) epidemic
Raging throughout China
Upon landing she blinked in bewilderment
At strange faces, sounds and smells
Until three-year old Natalie Lin
Whispered in Chinese, "Hi baby sister
I was born in China too."
Olivia's eyes flamed in recognition
The family watched dual faces reflect joy
Someday her parents will explain
How she boarded an airplane
In Hong Kong and migrated to America
As if on the wings of a great white craneLois Lay Castiglioni, Galveston, TX, USA
Aparna Belapurkar
Life changed the moment I was aboard.
"You are wearing a nice mangalsutra," the airhostess says.
"It is in fashion these days," I say. I smile a nervous smile
to my first journey in air, sent bagpacked to join husband in UK
in a country lonesome.
I ritually serve chicken tikka and all the masalas wrapped in
parcels of misunderstandings to my husband, nothing new. He
likes me when I show servitude. I churn and turn household
chores, and earn a few British pounds. A reticent me brings
a thali of relishes and few squabbles...they grow bigger by
the year. I say to him, "A bindi does not go with jeans or
a skirt, and stop treating me like dirt." I have stopped
sounding the docile woman I was supposed to be. With
a sanguine heart, I choose London over Mumbai. I say to Aai,
"I tried to reason, but life with him is an impasse, I can no
longer live." I write a research article for a better job after
a
tedious advanced degree, and in the column of marital status
mark, "A Divorcee."
Aparna Belapurkar, Isleworth, EG, UK
COMMENTS: Cultural references are used to create unique imagery
and offer an inside glimpse of the speaker's feelings. The individual
everyday instances show the growing frustration of the speaker as she adapts
to a new environment while others try to keep her from changing.
This prose first-person narrative takes the reader beyond the simple label
of "immigrant." We are shown a fully-human being whose culture of origin
is still very much a part of her identity. Words like "mangalsutra,"
"thali" and "bindi," heighten the intensity of feeling in this poem.
Excellent diction expresses feelings of struggle in many different ways.
Natural poetic voice highlighted by an occasional alliteration and internal
rhyme. Bravo!
============
THIRD PLACE - Winner of a $10.00 electronic book gift certificate
Shannon and Sabrina Riggs
My daughter, nine and a half and panicked, asks,
"Do you have my marble? The blue marble I found in Hawaii?"
Her distress for more than a marble,
is the desperate depth of longing
the word homesick doesn't begin to convey.
"I think it's in my purse," I say, I hope, I pray.
Slowly, I extract the contents, one by one:
a Hawaii State Insurance Card with Canadian Home Address;
Business Cards with Other People's Numbers
(808's and 250's) scrawled on their backs;
an array of lipsticks ranging from At-Ease Flesh Tone
all the way to Downright Insecure Chocolate Velvet;
Loonies and Toonies consorting with GW's
like they've known each other all their lives;
Credit Cards that convert more easily than us,
US to Canada and back again.
And then, thankfully, there are the Dusty Dregs:
five keys on four key rings, all looped together;
a Hibiscus-printed rubber band; Liquid Tears in a bottle;
and a small blue marble that lately feels impossibly large.
Shannon Riggs, Victoria, BC, CAN
COMMENTS: Superficial details are used to convey information
about the speaker as well as share a deeper feeling of being overwhelmed.
The metaphor of the marble and the world hold the poem together, with small
and large becoming so intertwined that it is difficult to separate one
from the other. An inside look at two travelers, mother and daughter,
trying to cope with their relocation; the inventory of mother's purse draws
the reader right into the scene with the daughter's anxiety effectively
captured in the motif of the marble at the bottom of the purse.
============
HONORABLE MENTION
Unsuk MacInnes
So much room, the new Mrs. MacInnes thought.
Her thoughts were like shreds of sinews, long and stringy,.
and that phrase kept clinging to her. Without mountains,
she felt exposed to the sky. She struggled to say something
to her new family in this new language. Too much was new,
most of all, her new soldier-husband standing beside her,
introducing her to hordes of faces. She felt her own face
grow hot and she could not keep her lips from trembling.
"What do you think of Texas?" "It's flat," she blurted out.
She felt her insult and blushed, but everyone laughed.
"Sure is," they said, and laughed again.
"Not everywhere, though," Roger's mother added.
"Come on into the kitchen and let's put on some coffee --
or tea if you'd rather?" "You have your own kitchen?"
Unsuk asked, her eyes almost round. "Didn't you in Seoul?"
They stared at each other. "Everything is so big here."
Unsuk looked around, letting her eyes linger on the kitchen,
there inside the house. "It's just your average house,
but we do have a lot of room." She smiled gently.
Unsuk knew she meant more than she had said.
Lynne Craig, Terrell, TX, USA
COMMENTS: Nice contrasts are portrayed here as the protagonist
seems to balance on a pivot point. Images of flat, open, spacious
yet exposed rooms are juxtaposed on the feeling of being drawn out into
strands, struggling to cling to the familiar. Well-described scene
of barriers breaking down between newcomer and welcomers. Poem is
effective in its deft movement from anxiety to acceptance to affirmation.
===========
HONORABLE MENTION
Szuszana Vorig
She brushes her hair at the window watching
pigeons pecking in the park below. Beyond, no River
Danube that taught the patience of constant running,
never changing course, never traversing other terrain --
but a new river that flows with expectation.
Children chatter in idioms she has yet to learn,
in a tone unmistakably confident. Her aunt
knocks softly at the door and brings a tray with tea
and a posy to make her feel at home, but the toast
is soft and airy. Is there substance in beauty, sustenance
in a slice so easy to chew? She smiles at the familiar face
of a rose smiling back. A name is becoming
more important than fit and a standard set by fad
over need. She weighs the tweed and lays it aside
for denim. The forecast is cool and windy with sunshine
ahead. Budapest is the shadow behind her,
Chicago spreads out with bright flags waving like arms
of her aunt and uncle at the airport. The dream
turns cartwheels in a shopping mall with everything,
everything but dense, dark bread.
Avonne Griffin, Greer, SC, USA
COMMENTS: Alliteration and assonance are used well in this poem,
without making the cadence formal or forced. The semi-rhetorical
question in the middle of the poem works well with its double meanings.
Excellent phrasings, alliteration and internal rhyme make this piece a
most worthy poetic look at a newcomer's ambivalence.
FIRST PLACE - Winner of a $25.00 electronic book gift certificate.
Grandmother AutumnCOMMENTS: Well written, with subtle internal rhyme. One almost expects to see grandmother sweep in, in a most buoyant style. Assonance, consonance, and strong imagery tie together the sight, sound and smell of fall in this joyful poem. The final image of a gate swinging open evokes an expansive feeling of welcome and freedom. A lovely piece. The author makes good use of figurative language as the poem evokes a strong sense of sight, taste, and smell with words such as spiced, sweet, rum, rubies, and amethyst. The poem ends on a strong note.Come visit soon, it's time you do;
the weather has turned to inspire
spiced apple cider and sweet cedar
fire. Maple and plum trees remind me
of rum cakes and stories of long ago.
I eagerly watch for you to descend, fingers laden
in amethyst and rubies glimmering. Old
oaks leave golden coins in every gust
of love, and the gate swings wide.Avonne Griffin, Greer, SC, USA
Fall FlightCOMMENTS: Crisp clear words compliment this clever comparison of the geese heading south to the change in weather. The simple diction of the poem personifies its elegant image, that of a graceful bird formation. The poet successfully transforms the microcosmic into the macrocosmic by pulling the imagery of summer south.Long black lines vee southward.
My finger follows their flight
as they arrow across the sky
aimed at the horizon
in precise formation.
Warmth seeps slowly;
another balmy season
veers towards winter
on the flutter of wings.Sharon Rothenfluch Cooper, Portland, OR, USA
Short ChangedCOMMENTS: So well titled and beautifully described in just a few short lines of poetry. The cleverly-placed line breaks illustrate the concept of short-changed while causing it to flow without a break from start to finish. Nice use of assonance and consonance.Autumn
is but
an amal-
gamation
of sum-
mer and
then sud-
denly it's
ColdSJ Baldock, Lancaster, TX, USA
Leona Fall
Like an indulged child,
He enters abruptly.
Slapping our faces
with the stinging words he blows.
Rushing in and around,
swirling debris scuttling behind.
His eyes sparkle - sun and dew -
dancing through the valley,
his honesty crisps the air.
Steven W. Hull, Leona Valley, CA, USA
COMMENTS: This poem compares autumn to an indulged child in a
very apt
manner. One can see this autumn child crisp the air. A
lot of action in the well chosen words of the poet. Personification
of fall gives this work a personal touch and connects the reader to the
scene. Images evoke mischief and playfulness, and the innocent tone
is once again emphasized by the powerful and active image in the last line.
============
EDITOR'S PICK
============
Summer's Fall
There's cooling of both her body and breath,
because summer's ending pretends to be death.
Tresses fall aground and her juices regress,
disrobing herself for winter funeral dress.
With nary indication that warmth will revive,
I just can't continue, unless summer's alive.
Give me a signal, some hope you'll survive!
Hah! I used to be fooled by her living's decline.
That's till I learned to sip dandelion wine.
Warner D. Conarton, Zephyrhills, FL, USA
COMMENTS: Described beautifully in couplet style. A pleasure
to read.
============
OTHER POEMS COMMENTED UPON BY OUR JUDGES AND/OR EDITORS
============
Leafing Time
Yellows, reds of gaudy leaves
fall in autumn's rains of glory.
I walk along with crunchy steps
and revel in these cooler hours.
Thoughts of torpid summer fade.
The year is throttling down its pace
with hints of rest and pleasant times,
renewing hope to heal old woes
and offers dreams to climb new heights.
Roberta Pipes Bowman, Fort Worth, TX, USA
COMMENTS: This piece is the result of skillful craftsmanship.
As excellent word choices lead one on a lovely walk, the poet tells us
that better things are still to come. Renewal and change is evident
in every line of this solid piece. Deliberate word choices such as
"torpid" and "gaudy" add good sensuality to an already well-written work.
============
Once More
Bright in the cool, splayed halo of an ambivalent sun
drowsy oaks let slip, one by one, their copper leaves,
which pirouette like ballerinas as they float down
to the bed of past years' moldering harvests. A sudden
gust of wind hurls acorns to the crazy-quilt below,
where they wait for death. Squirrel scouts reconnoitering
the debris expertly sift the compost, taking some acorns,
but saving some. These they entomb without ceremony
into dark, cold earth, thus beginning another dance.
Lynne Craig, Terrell, TX, USA
COMMENTS: This poem is chock-full of marvelous and varied images
of fall, pulling the reader into the activity of the moment. Lovely
language!
============
Dying Season
road winding through low
rolling mountains
cast a dead-
end illusion
blood-splatter leaves
portrait of a dying
season, autumn
awaiting the cold
white shroud of winter
Betty Dobson, Halifax, NS, CAN
COMMENTS: This piece works autumn right through to winter as
the reader
follows the winding road. Nicely stated. Strong piece.
============
Autumn Antiquities
Ancient antiquities stand statuesque.
Silent secrets ripple through
the jewel-toned leaves that remain,
as others spiral downward
scattering confidences told under the canopy.
Years of mystery dwell deep in the roots
waiting until spring to be shared,
sprouted anew in the beautiful,
lush, green bounty of life.
Jennifer Galvin, Stafford, VA, USA
COMMENTS: Beautiful progression throughout. The phrase,
"scattering confidences told under the canopy," is simply lovely!
============
Desert Autumn
Autumn arrives
with golden leaves that dance
on fresh cool breeze
sparkling diamonds fill big night sky.
Full harvest moon watches
from vantage point above all,
lighting the way
of nomadic tumbleweeds
across the lonely barren desert.
Jeanette Oestermyer, Roswell, NM, USA
COMMENTS: Simple imagery reflects the sparse, yet elegant beauty
of the desert in fall. The moon lighting the way for nomadic tumbleweeds
under a cold, desert sky is one of the most striking and vivid images in
this poem.
============
Autumn's Womb
Modron turns color opulent,
edematous, undulant;
her gravid red earth
bears ripe fruit and seed
holds them in soiled folds
then gives way to colder days.
Her fecund dissolution nurtures
inward sleep, green regeneration,
fundal contraction, and new birth.
Kathy Paupore, Kingsford, MI, USA
COMMENTS: Descriptive verse tells how autumn gives way to winter.
============
Autumn Wind
Autumn wind
pinks my flesh, aches my bones,
an unwelcome aide memoir
like breath on birthday candles.
My only wish,
to emerge in spring
numb to the scattered leavings
of any moments wasted
in this, another passing year.
Shannon Riggs, Victoria, BC, CAN
COMMENTS: The poet effectively uses the season as a metaphor for aging
with the Autumn wind the actual active agent of this process. "Scattered
leavings" is a wonderful play on words, and hints of the fall leaves and
many other things left behind.
============
Fall Leaves
Bright red, yellow and orange leaves make a whooshing sound
as the wind blows them down from the trees.
They gather in piles under trees and in rain soaked gutters.
Unsightly leaves scatter the yard, killing the grass.
Family members work relentlessly to clean up the mess.
Should they keep working or save it for another day?
Time is ticking away as the blinding sun sets low in the sky.
In a few short weeks, fall will be over and winter will arrive
and anything left will be smothered by ice and snow.
Eileen Sateriale, Bowie, MD, USA
COMMENTS: Lovely sound in the first line. Nicely set scene.
============
Fall Upwards
Lift up your eyes in fall
to the un-white sky, either
blue to the horizon, or by chance
greyed with gravid clouds.
Breathe that cool air.
To see and to breathe again,
when the season warns of ending,
seems not death, but rebirth,
or perhaps a new beginning.
George Stateson, Grand Prairie, TX, USA
COMMENTS: Catchy title states the premise. Commencement:
end or beginning. Precise language choices. The poet's play
on "fall" plays on reader's reaction to its irony. A nice poetic
tension is achieved through this and the questioning of the deeper meanings
of death and birth. This poem is proof that "less is more."
It is what it is, without unnecessary embellishments.
============
Fall Colors
It comes riding the north wind,
Carried by the rain,
The first cold front of autumn.
It leaves most of the green in the trees,
But paints the sky a brighter blue.
While New England glories in its red and gold,
Southeast Texas glories in the cool blue
Between the burnt sepia of summer
And the gray of December.
Katherine Swarts, Houston, TX, USA
COMMENTS: Poet very effectively uses the comparison and contrast of
basic colors in this poem to paint a picture of fall in the south.
This poem has a "rainbow" appeal. Phrases such as "brighter blue"
evoke images of nature painting the world in bold strokes of brilliant
color.
===========
Hurricane Season
We stretch the summer in long, humid, windless days
as sweat stained, dripping, the gulf swells in possibility
a gathering of clouds, movement and circulation.
We yearn the churn of sky, cool rain but fear the storm
the heavy air and an unstoppable wall of water.
For days, life becomes isobars and charts map-pins
wind speed and that dark, evil, open eye. Suddenly a turn
far away from us as we breathe in long, humid windless sighs
and stretch the summer just a little bit more.
James M. Thompson, Baytown, TX, USA
COMMENTS: The longer line length and movement of this poem lends
itself to the imagery, illustrating the verdant fullness yet inherently
unpredictable dangerousness of a southern fall. Beauty and tension
co-exist. A unique perspective of an atypical image of fall.
===========
Birthing Autumn
Sweetgum trees drop
barrage of balls
on reddish-yellow
leaves covering
carpet of Bermuda grass
like joy found
in the eyes of a
new grandparent;
a new cycle begins.
Tony A. Thompson, Lufkin, TX, USA
COMMENTS: The poet imaginatively connects the image of Sweetgum balls,
which fall like ripe babies on the green Bermuda grass, to the joy of a
grandparent at the birth of a baby. A wonderful way to address the
irony of fall endings being the beginning of new life, as the seeds of
autumn are the seeds of new life.
CLICHÉ: It's someone else's battle
REWRITE: Don't get involved and tattle
Generations Recycled
When in doubt, Pop sorted out
With razor strap or paddle.
We burned with lessons learned:
Don't get involved and tattle
And hate and pain perpetuate!
SJ Baldock, Lancaster, TX, USA
EDITOR'S CHOICE
Grandmother Autumn
Come visit soon, it's time you do;
the weather has turned to inspire
spiced apple cider and sweet cedar
fire. Maple and plum trees remind me
of rum cakes and stories of long ago.
I eagerly watch for you to descend, fingers laden
in amethyst and rubies glimmering. Old
oaks leave golden coins in every gust
of love, and the gate swings wide.
Avonne Griffin, Greer, SC, USA
COMMENTS: Well written, with subtle internal rhyme. One
almost expects to see grandmother sweep in, in a most buoyant style.
Assonance, consonance, and strong imagery tie together the sight, sound,
and smell of fall in this joyful poem. The final image of a gate
swinging open evokes an expansive feeling of welcome and freedom.
A lovely piece. The author makes good use of figurative language
as the poem evokes a strong sense of sight, taste, and smell with words
such as spiced, sweet, rum, rubies, and amethyst. The poem ends on
a strong note.
There is no immediate prize associated with a poem having been picked as Editor's Choice in a particular month, only the knowledge that our editors picked it over all the other prize winners of that month. All Editor's Choice poems for 2003 were automatically entered in the Favorite Poem of 2003 Competition.
Questions? E-mail Mary Margaret Carlisle, Managing Editor:
Sol.Editor@prodigy.net
Please
refer to this page for Sol Magazine questions & email contacts:
http://www.sol-magazine.org/question.htm
PAULA MARIE BENTLEY, EDITOR-IN-CHIEF
BETTY ANN WHITNEY, POETRY EDITOR
BONNIE WILLIAMS,
ASSISTANT EDITOR
MARY BURLINGAME,
ASSISTANT EDITOR
ROY SCHWARTZMAN,
ASSISTANT EDITOR
GARY BLANKENSHIP,
ASSISTANT EDITOR
MARY MARGARET CARLISLE, MANAGING
EDITOR
CRAIG TIGERMAN, SPECIAL PROJECTS
MANAGER
LEO F. WALTZ, WEB MASTER, MEDIA
& PRIZE MANAGER
Sol Magazine, P.O. Box 580037, Houston, TX 77258-0037
Phone number: 281-316-2255
Call weekdays 8-5 (CT) (1400-2300 GMT or UTC)
Send comments, questions, advice to:
Sol.Magazine@prodigy.net
We hate to ask, but providing prizes for our winning poets is an non-ending task. Over the years we've offered many locking diaries, hundreds of book gift certificates and bookmarks, uncounted books and chapbooks, and even a few picnic baskets! Only about one-fourth of our prizes come from Sponsors, and the rest are donated by co-founders Leo F. Waltz and Mary Margaret Carlisle. Please consider adding your name to the list. Become a Sol Sponsor. Write to Sol.Editor@prodigy.net for more information. |