Sol Magazine
www.sol-magazine.org
November 2003 Edition
 © 2003 Sol Magazine


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http://www.sol.magazine.org/rqmts.htm
 
 
FEATURED ARTICLES
Note: These links are on separate web pages and will exit you from the current edition.
  • Poetry Works: "Simply Get Your Poems Published - A Checklist for Poets"  
  • Workshop in a Column "Anthimeria:  Verbing Weirds Language" 
  • Grammar Rules!: "Then Versus Than"
  • Poetry Works: "Survival Guide to Poetry Contests"

  • CONTENTS of this page:


    SPONSORS:
    JEN PLANXTY
    AMAZE:  THE CINQUAIN JOURNAL
    FORT WORTH HAIKU SOCIETY

    JUDGES:
    LYNETTE BOWEN
    KATHY LIPPARD COBB
    LISA JANICE COHEN
    DEBORAH P. KOLODJI
    JEN PLANXTY
    CLIFF THOMAS ROBERTS
    SOL STAFF




    LETTERS - The following letters may be lightly edited.
    FROM -- TED O. BADGER:  Thanks for publishing the warning about the Poetry Sharks!  So many poets have been duped by these outfits.  (Ted Badger is editor of "Lucidity," a poetry journal.  Write to tedbadger1@yahoo.com for Submission Guidelines or subscription information.)
    FROM -- CLAIBORNE S. WALSH:  Yea!  : )    <doing the happy dance>
            (Claiborne won 1st place in an October competition.)
    FROM -- SJ BALDOCK:  October's Clichéd Muse (Snail Mail) was delightful. "Fools fear freight; the wise insure."  So true.  So WICKEDLY true!  Barrette is a punster extraordinaire.  I'm glad you added The Clichéd Muse to the magazine and can hardly wait to see what someone comes up with for November.
            (Ironically, SJ Baldock's own excellent Clichéd Muse, "Generations Recycled," was the November winner.)
    FROM -- JEN GALVIN:  I love your poetry contests and hope to participate in many more this coming year. :-)
    FROM -- REBECCA ROWE:  I enjoy your magazine so much!
    FROM -- SHANNON RIGGS:  I must say, I have learned more from my participation at Sol than I ever learned in school.

    Back to contents



    GIVING THANKS
    SPONSORS:  AMAZE:  THE CINQUAIN JOURNAL, SOL MAGAZINE
    JUDGES:  LISA JANICE COHEN, DEBORAH P. KOLODJI

    FIRST PLACE - Winner of a copy of "Amaze:  The Cinquain Journal."

    In the Valley

    Lilies,
    crimson-tipped, grace
    lost graves of patriots
    who served in forgotten battles,
    unthanked.

    Lynne Craig, Terrell, TX,  USA

    COMMENTS: This lovely cinquain combines strong images with solid use of language, with a subtle approach to the topic.  A unique twist on the old concept of being grateful for being alive.  Nice image where the purest of white flowers is crimson-tipped - bringing to mind the staining of innocents, as well as a direct nod to the concept of red for bravery in the flag of the United States of America.  Well-chosen words bring a great sense of power to this poem, and it flows well, with alliteration on the "gr" sounds, and internal alliteration on the "s" sounds.  Each line is well constructed and the end-words on each line work well together.   A winner!
    ============
    SECOND PLACE
    Hunting Season

    Buck snort
    awakens dawn
    the bow drawn tight quivers
    releases, I tremble, thankful
    for life.

    Kathy Paupore, Kingsford, MI, USA

    COMMENTS: Wonderful rich images fill this five line vivid tableau.  Wonderful opening slightly onomatopoeic image, and an excellent concept in the personification of "awakens dawn," as short, harsh consonant sounds of the first line awaken the reader's attention.  An interesting contrast here between hunter and hunted, mingled with reminders that at any moment we could become the hunted.  Nice kinetic verbs and actions give this a sense of alertness, tautness.  Good internal alliteration.  The word choices throughout this Cinquain effectively convey the theme.
    ============
    THIRD PLACE
    Freedom

    Thankful
    to walk swaying
    fields, footsteps unhindered
    and to speak in uncensored words
    my mind.

    James M. Thompson, Baytown, TX, USA

    COMMENTS:  Interesting repetition of "un" words here serves to further emphasize the way things could be and are for so many people.  Lovely lyricism in "swaying fields," and a gentle switch of standard diction in the closing phrase.  This poem appeals well on an emotional level. When read aloud, the alliteration and assonance in the final line underline the poet's message.
    ============
    HONORABLE MENTION
    November Nocturne

    Beauty
    of autumn night
    moon a bright golden globe.
    Grateful, I raise my solemn voice
    in song.

    Jeanette Oestermyer, Roswell, NM, USA

    COMMENTS:  The reader is immediately swept into this poem with subtle assonance and alliteration.  Almost prayerful, this is simple, yet direct in its simplicity.  Lyrical, brings to mind a crystal-clear, frost-scented autumn evening, and serves as a meditation on how to be thankful for the simplest things.  Beautifully chosen words.
    ============
    HONORABLE MENTION
    96 and Counting

    On the
    Third Thursday of
    November, Granny gives
    Thanks for mail-order teeth and minced
    Turkey

    Lois Lay Castiglioni Galveston, TX, USA

    COMMENTS:  The use of humor creates a rich word-portrait of "Granny," and the title effectively adds a sixth line to this little gem.  Smile-provoking, it's also directly true in this poem, a reminder that it's okay to be thankful for the simple things that make our everyday lives livable.   Nice use of roundabout phrasings to avoid repetition of standard phrases like "Thanksgiving  Day" - here, it becomes "...the / Third Thursday of / November."  Effectively uses humor.
    ============
    OTHER POEMS COMMENTED UPON BY OUR JUDGES AND/OR EDITORS.
    ============
    Thanks

    Prayer,
    thanks to our God.
    Fire burned through our home,
    still left, the best part of this life...
    family.

    Jim Applegate, Roswell, NM, USA
    COMMENTS:   The truest thing to be thankful for.  A reminder that our lives should focus on the most important things of life - the love and lives of those nearest and dearest to us.
    ============
    Reprieve

    Give thanks
    For remission...
    Another holiday
    Spent cancer free with family
    And friends.

    SJ Baldock, Lancaster, TX, USA
    COMMENTS:  Appealing natural diction, with a fitting title to round out the poem.  Thanks are given both for something that exists and something that no longer exists;  it provides an interesting parallel, as well as helps underscore the valuable nature of what does exist.  Well-sketched, and meaningful in very few words.  This poem captures a sentiment that every cancer-survivor and friends of cancer-survivors can identify with.
    ============
    Filling Grateful

    The job
    I love puts food
    on the table and warmth
    in my heart.  Somehow, "Thanks" is not
    enough.

    Elizabeth Barrette, Charleston, IL, USA
    COMMENTS: Clever wordplay with the title.  A sentiment echoed by all who truly love their jobs, as well as a reminder that even if there are difficult days, in the end, the food is on the table and warmth is in our hearts as we sit down with family and friends.  Closing lines say it all.
    ============
    November Renewal

    Talk, talk--
    the clan is here again
    revelling fellowship.
    I'm thankful for this Thanksgiving Day
    and love.

    Roberta Pipes Bowman, Fort Worth, TX
    COMMENTS:  This could be every family with a wonderful warm chatter of souls to fill a home each year, "revelling friendship." Good choice of the word "clan" instead of the more standard "family" to help link present with past.
    ============
    Contentment

    Alone,
    just two sharing
    abbreviated feast.
    Holding hands, they pray, grateful for
    what is.

    SuzAnne C. Cole, Houston, TX, USA
    COMMENTS:  Concise, true to spirit, and meaningful.  "Grateful for what is" describes what should be the hoped-for state of mind of all of us during the holiday season.  Lyrical in its simplicity.  A nice interpretation of the theme.
    ============
    Thanks to My Muse

    You give
    from your heart depths
    love with each beat, passion
    with each tender breath on my neck.
    Words fail.

    Betty Dobson, Halifax, NS, CAN
    COMMENTS:  This can be read two different ways - one, as a tribute to the elusive and ethereal Muse all poets and writers strive to mesh with - and two, as a tribute to the very real and very present love or inspiration in one's life.  Either way it is read, it's a wonderful tribute, truly tender and full of love.  Wonderful closing line.  Enjambment is used effectively without leaving dangling articles of speech on the ends of lines.  Nicely done!
    ============
    Tables Turned

    Turkey
    smells delicious
    Not a bite do I eat
    on the way to the soup kitchen
    Hungry

    Jennifer Galvin, Stafford, VA, USA
    COMMENTS:  Clever title highlights the poem.  The theme of 'giving thanks' is implied here in the contrast between the narrator and the soup kitchen.  A point we'd all do well to remember. Truly a way to put oneself in another's shoes.
    ============
    Legacy

    Children,
    children from shore
    to shore, decorate, eat,
    chase each other laughing because
    you can!

    Avonne Griffin, Greer, SC, USA
    COMMENTS:  Full of love and life, this one bounds off the page with childlike glee and joy.  Closing line - "because you can" - is somberly appropriate to an adult reader simply because we understand how precious is that ability.  Well done.
    ============
    Navy Wife, Post-War Thanksgiving

    "Come home,"
    my sole prayer, and
    my sailor passed unscathed
    through mines and Tomahawks. Humbly:
    "Thank You."

    Shannon Riggs, Victoria, BC, CAN
    COMMENTS:  Good use of details to illuminate the precise cause of thankfulness in this instance.  Simple, direct and heartwarming.
    ============
    Source of Pride

    My girls
    studied hard to
    make the school honor roll.
    I am thankful for their scholastic
    talents.

    Eileen Sateriale, Bowie, MD, USA
    COMMENTS:  A mother has almost no equal when it comes to pride and thankfulness.  This is   a wonderful tribute to the hard work of two children, and the pride a mother feels.
    ============
    Traffic

    Thank you
    for letting me
    cry on your soft shoulder.
    If you want to run over me,
    I yield.

    George Stateson, Grand Prairie, TX, USA
    COMMENTS:  Almost pleading in its directness, this is a cry from heart to heart, and a unique form of thanks.  Nice details, and good images.
    ============
    Thanksgiving Dinner

    No one
    wants to spend hours
    cooking for Thanksgiving
    and repeat next month. Thank God for
    potluck.

    Katherine Swarts, Houston, TX, USA
    COMMENTS:  This poem has a  funny twist on what one is thankful for and a good illustration of how that can vary widely depending on the situation.
    ============
    God's Most Precious Gift

    My child
    bearing a child
    a child I shall adore!
    Giving thanks with a happy heart,
    I soar!

    Daisy Autry Worrock,  Abingdon, VA, USA
    COMMENTS:  Although rhyme is not generally part of the Cinquain form, this one is appealing and has an appropriately "nursery rhyme" aesthetic.   Full of pure joy and love, this is thanks in its most delightful form.

    Back to contents
     


    PINE
    JUDGE:  CLIFF THOMAS ROBERTS
    SPONSORS:  FORT WORTH HAIKU SOCIETY & SOL MAGAZINE

    FIRST PLACE -  Winner of a copy of "How to Haiku," by Bruce Ross.

    side of mountain
    single shriveled pine
    still standing

    Katherine Swarts, Houston, TX, USA

    COMMENTS: This haiku is unswerving in is simplicity and yet quite profound. Loneliness and hope grow together from the slanted mountain. Here is the one tree left unchosen because of it's unattractiveness, which is the very thing that has saved it. From this one tree, perhaps, more will grow.
    ===========
    SECOND PLACE - Winner of a copy of "The Sound of the Harp," by Genevieve Smith Whitford.
    pine cone
    skeletons skitter in
    winter winds

    Lois Lay Castiglioni, Galveston, TX, USA

    COMMENTS: A lonely cold verse. The word 'cone' in the first line seems to link with 'skitter' in the second and 'winds' in the third equating to the possibility of 'cold' 'bitter' winds. There is also the lonely sound of bare branches rubbing together.  All combine to make an effective and visceral Haiku.  Beautifully done and memorable duality in the automatic mental image evoked by the mention of a pine cone, and the reality of a skeleton pine cone.
    ===========
    THIRD PLACE - Winner of a copy of "Moon Crossed," The Journal of Poetry in the Arts.
    fog clearing
    pine needles shine
    ice slowly melts

    Jim Applegate,  Roswell,  NM,  USA

    COMMENTS:  Wonderful natural unveiling of this straightforward Haiku moment.  The uncluttered lines and direct treatment of each natural object exemplify the best of what one might look for in a Haiku.
    ===========
    HONORABLE MENTION - Winner of a celestial bookmark.

    red flashes on trunk
    drumming flicker hollows holes
    in graying pine tree

    SuzAnne C. Cole, Houston, TX, USA
    COMMENTS:  Beautifully done Haiku.  This piece suggests a woodpecker without using the word, allowing the important interaction of the reader to supply the details.  Fine writing.  Color adds a nice sensual touch, as does the movement of the bird, and the sound adds to the moment.
    ===========
    HONORABLE MENTION - Winner of a celestial bookmark.

    needles splay
    cones quake
    one lone pine

    Avonne Griffin, Greer, SC, USA
    COMMENTS:  Presented here is the potential for other pine trees to be born from this one.  A hopeful Haiku moment.  Nice touch in the plurality of the pine cones and the single tree.
    ===========
    OTHER HAIKU COMMENTED UPON BY OUR JUDGE AND/OR OUR EDITORS
    ===========

    Game plays in forests
    Tossed down from boughs overhead
    Pine needle jackstraws

    SJ Baldock, Lancaster, TX, USA
    COMMENTS:  A vivid portrayal of the unexpected hazards of woodland life.  A unique comparison used in this triplet of lines.
    ===========

    Burnt sienna leaves
    Squirrels scurrying down plains
    clutching nuts of pine

    Aparna Belapurkar, London, EG, GBR
    COMMENTS:  Evokes a wonderful world of color and life.
    ===========

    Pine garlands
    poinsetta starbursts
    Christmas bells

    Roberta Pipes Bowman, Fort Worth, TX, USA
    COMMENTS:  An exquisite collection of holiday decorations.
    ===========

    Twilight canopy
    lost pines grow in coastal heat
    blankets of needles

    Lynne Craig, Terrell, TX, USA
    COMMENTS:  This nicely done Haiku brings a lovely vision of a twilight canopy, the sultry feeling of the heat and the scent of fragrant pine.  A wonderful cornucopia for the senses.
    ===========

    we gather around
    scented pine memories wrap
    years inside one day

    Betty Dobson, Halifax, NS, CAN
    COMMENTS: A well captured holiday verse which nearly everyone can identify with.
    ===========

    breeze blowing
    spindly pines
    harp notes

    Kay Earnest, Smyrna, GA, USA
    COMMENTS: Part of what makes this excellent Haiku interesting is the vagueness of whether there is an actual harp being played somewhere.  Or is this the sound of the wind through the boughs?
    ===========

    pink mittens poke
    shake snow out of pinecones
    for our Christmas wreath

    Tanya Larson-Spahmann, Kamloops, BC, CAN
    COMMENTS:  Pink, white and green offer a nostalgic homey look towards the coming season.
    ===========

    Christmas morning
    empty wrapping paper
    under pale pine boughs

    Kathy Paupore, Kingsford, MI, USA
    COMMENTS:  A universal image brought to life.  An implied connection between the boughs and the wrapping paper undoubtedly created from a tree.
    ===========

    blinding white blanket
    Christmas day snowfall covers
    majestic pine trees

    Eileen Sateriale, Bowie, MD, USA
    COMMENTS:  Brings a childlike wonder to this silent and stunning moment.
    ===========

    pine needles
    cover his footprints
    dark forest

    James M. Thompson, Baytown, TX, USA
    COMMENTS: There is something slightly dark, sinister and expectant lurking in the said and unsaid of this verse.  Whose footprints? Perhaps a hunter, for they are not pawprints or hoofprints.  Beautifully said.
    ===========

    Cardinals crowd pines
    Swell of red in green ocean
    Bird feeders filled

    Tony A. Thompson, Lufkin, TX, USA
    COMMENTS:  An image many can see outside their window and others would like to.  Precisely captured.  Beautiful picture.

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    I'M NEW IN TOWN:  IMMIGRATION
    JUDGES:  JEN PLANXTY, CRAIG TIGERMAN
    SPONSOR:  JEN PLANXTY
    NOTE TO READERS:  When these poems were judged, in order to impose a true "blind" judging, we temporarily changed the names in the titles, for in some instances a poet's name and a title were the same.  The titles here have been restored to the original.
    ============
    FIRST PLACE:  Winner of a $20.00 electronic book gift certificate.
     
    Olivia Lin Castiglioni

    May 31, 2003, Olivia Lin Castiglioni age one
    Arrived in Austin, Texas
    With one of the last groups approved for travel
    Before adoptions were suspended
    Due to the lethal Severe Acute
    Respiratory Syndrome (SARS) epidemic
    Raging throughout China
    Upon landing she blinked in bewilderment
    At strange faces, sounds and smells
    Until three-year old Natalie Lin
    Whispered in Chinese, "Hi baby sister
    I was born in China too."
    Olivia's eyes flamed in recognition
    The family watched dual faces reflect joy
    Someday her parents will explain
    How she boarded an airplane
    In Hong Kong and migrated to America
    As if on the wings of a great white crane

    Lois Lay Castiglioni, Galveston, TX, USA

    COMMENTS:  This intriguing poem makes full use of the Who, When, Where, Why, and What of the narrative poem form, yet is imbued with a captured stillness, almost as if a candid photo had been taken of the event.  The crane imagery at the end of the poem supports the transitional feeling of the poem, as well as the point where two societies meet.
    ============
    SECOND PLACE - Winner of a $15.00 electronic book gift certificate.

    Aparna Belapurkar

    Life changed the moment I was aboard.
    "You are wearing a nice mangalsutra," the airhostess says.
    "It is in fashion these days," I say.  I smile a nervous smile
    to my first journey in air, sent bagpacked to join husband in UK
    in a country lonesome.

    I ritually serve chicken tikka and all the masalas wrapped in
    parcels of misunderstandings to my husband, nothing new.  He
    likes me when I show servitude. I churn and turn household
    chores, and earn a few British pounds.  A reticent me brings
    a thali of relishes and few squabbles...they grow bigger by
    the year.  I say to him, "A bindi does not go with jeans or
    a skirt, and stop treating me like dirt."  I have stopped
    sounding the docile woman I was supposed to be. With
    a sanguine heart, I choose London over Mumbai.  I say to Aai,
    "I tried to reason, but life with him is an impasse, I can no
    longer live."  I write a research article for a better job after a
    tedious advanced degree, and in the column of marital status
    mark, "A Divorcee."

    Aparna Belapurkar, Isleworth, EG, UK
    COMMENTS:  Cultural references are used to create unique imagery and offer an inside glimpse of the speaker's feelings.  The individual everyday instances show the growing frustration of the speaker as she adapts to a new environment while others try to keep her from changing.  This prose first-person narrative takes the reader beyond the simple label of "immigrant." We are shown a fully-human being whose culture of origin is still very much a part of her identity.  Words like "mangalsutra," "thali" and "bindi," heighten the intensity of feeling in this poem.  Excellent diction expresses feelings of struggle in many different ways.  Natural poetic voice highlighted by an occasional alliteration and internal rhyme.   Bravo!
    ============
    THIRD PLACE - Winner of a $10.00 electronic book gift certificate

    Shannon and Sabrina Riggs

    My daughter, nine and a half and panicked, asks,
    "Do you have my marble? The blue marble I found in Hawaii?"
    Her distress for more than a marble,
    is the desperate depth of longing
    the word homesick doesn't begin to convey.
    "I think it's in my purse," I say, I hope, I pray.
    Slowly, I extract the contents, one by one:
    a Hawaii State Insurance Card with Canadian Home Address;
    Business Cards with Other People's Numbers
    (808's and 250's) scrawled on their backs;
    an array of lipsticks ranging from At-Ease Flesh Tone
    all the way to Downright Insecure Chocolate Velvet;
    Loonies and Toonies consorting with GW's
    like they've known each other all their lives;
    Credit Cards that convert more easily than us,
    US to Canada and back again.
    And then, thankfully, there are the Dusty Dregs:
    five keys on four key rings, all looped together;
    a Hibiscus-printed rubber band; Liquid Tears in a bottle;
    and a small blue marble that lately feels impossibly large.

    Shannon Riggs, Victoria, BC, CAN
    COMMENTS:  Superficial details are used to convey information about the speaker as well as share a deeper feeling of being overwhelmed.  The metaphor of the marble and the world hold the poem together, with small and large becoming so intertwined that it is difficult to separate one from the other.  An inside look at two travelers, mother and daughter, trying to cope with their relocation; the inventory of mother's purse draws the reader right into the scene with the daughter's anxiety effectively captured in the motif of the marble at the bottom of the purse.
    ============
    HONORABLE MENTION

    Unsuk MacInnes

    So much room, the new Mrs. MacInnes thought.
    Her thoughts were like shreds of sinews, long and stringy,.
    and that phrase kept clinging to her.  Without mountains,
    she felt exposed to the sky.  She struggled to say something
    to her new family in this new language.  Too much was new,
    most of all, her new soldier-husband standing beside her,
    introducing her to hordes of faces.  She felt her own face
    grow hot and she could not keep her lips from trembling.
    "What do you think of Texas?"  "It's flat," she blurted out.
    She felt her insult and blushed, but everyone laughed.
    "Sure is," they said, and laughed again.
    "Not everywhere, though," Roger's mother added.
    "Come on into the kitchen and let's put on some coffee  --
    or tea if you'd rather?"  "You have your own kitchen?"
    Unsuk asked, her eyes almost round.  "Didn't you in Seoul?"
    They stared at each other.  "Everything is so big here."
    Unsuk looked around, letting her eyes linger on the kitchen,
    there inside the house.  "It's just your average house,
    but we do have a lot of room."  She smiled gently.
    Unsuk knew she meant more than she had said.

    Lynne Craig, Terrell, TX, USA
    COMMENTS:  Nice contrasts are portrayed here as the protagonist seems to balance on a pivot point.  Images of flat, open, spacious yet exposed rooms are juxtaposed on the feeling of being drawn out into strands, struggling to cling to the familiar.  Well-described scene of barriers breaking down between newcomer and welcomers.  Poem is effective in its deft movement from anxiety to acceptance to affirmation.
    ===========
    HONORABLE MENTION

    Szuszana Vorig

    She brushes her hair at the window watching
    pigeons pecking in the park below. Beyond, no River
    Danube that taught the patience of constant running,
    never changing course, never traversing other terrain --
    but a new river that flows with expectation.
    Children chatter in idioms she has yet to learn,
    in a tone unmistakably confident. Her aunt
    knocks softly at the door and brings a tray with tea
    and a posy to make her feel at home, but the toast
    is soft and airy. Is there substance in beauty, sustenance
    in a slice so easy to chew? She smiles at the familiar face
    of a rose smiling back. A name is becoming
    more important than fit and a standard set by fad
    over need. She weighs the tweed and lays it aside
    for denim. The forecast is cool and windy with sunshine
    ahead. Budapest is the shadow behind her,
    Chicago spreads out with bright flags waving like arms
    of her aunt and uncle at the airport. The dream
    turns cartwheels in a shopping mall with everything,
    everything but dense, dark bread.

    Avonne Griffin, Greer, SC, USA
    COMMENTS:  Alliteration and assonance are used well in this poem, without making the cadence  formal or forced.  The semi-rhetorical question in the middle of the poem works well with its double meanings. Excellent phrasings, alliteration and internal rhyme make this piece a most worthy poetic look at a newcomer's ambivalence.

    Back to contents


    AUTUMN'S FALL
    JUDGES:  LYNETTE BOWEN,
    KATHY LIPPARD COBB & JANET PARKER
    SPONSOR:  JANET PARKER

    FIRST PLACE - Winner of a $25.00 electronic book gift certificate.

    Grandmother Autumn

    Come visit soon, it's time you do;
    the weather has turned to inspire
    spiced apple cider and sweet cedar
    fire. Maple and plum trees remind me
    of rum cakes and stories of long ago.
    I eagerly watch for you to descend, fingers laden
    in amethyst and rubies glimmering. Old
    oaks leave golden coins in every gust
    of love, and the gate swings wide.

    Avonne Griffin, Greer, SC, USA

    COMMENTS:  Well written, with subtle internal rhyme.  One almost expects to see grandmother sweep in, in a most buoyant style.  Assonance, consonance, and strong imagery tie together the sight, sound and smell of fall in this joyful poem.  The final image of a gate swinging open evokes an expansive feeling of welcome and freedom.  A lovely piece.  The author makes good use of figurative language as the poem evokes a strong sense of sight, taste, and smell with words such as spiced, sweet, rum, rubies, and amethyst.  The poem ends on a strong note.
    ============
    SECOND PLACE - Winner of a $15.00 electronic book gift certificate.
    Fall Flight

    Long black lines vee southward.
    My finger follows their flight
    as they arrow across the sky
    aimed at the horizon
    in precise formation.
    Warmth seeps slowly;
    another balmy season
    veers towards winter
    on the flutter of wings.

    Sharon Rothenfluch Cooper, Portland, OR, USA

    COMMENTS:  Crisp clear words compliment this clever comparison of the geese heading south to the change in weather.  The simple diction of the poem personifies its elegant image, that of a graceful bird formation.  The poet successfully transforms the microcosmic into the macrocosmic by pulling the imagery of summer south.
    ============
    THIRD PLACE - Winner of a $10.00 electronic book gift certificate.
    Short Changed

    Autumn
    is but
    an amal-
    gamation
    of sum-
    mer and
    then sud-
    denly it's
    Cold

    SJ Baldock, Lancaster, TX, USA

    COMMENTS:  So well titled and beautifully described in just a few short lines of poetry.  The cleverly-placed line breaks illustrate the concept of short-changed while causing it to flow without a break from start to finish.  Nice use of assonance and consonance.
    ============
    HONORABLE MENTION

    Leona Fall

    Like an indulged child,
    He enters abruptly.
    Slapping our faces
    with the stinging words he blows.
    Rushing in and around,
    swirling debris scuttling behind.
    His eyes sparkle - sun and dew -
    dancing through the valley,
    his honesty crisps the air.

    Steven W. Hull, Leona Valley, CA, USA
    COMMENTS:  This poem compares autumn to an indulged child in a very apt
    manner.  One can see this autumn child crisp the air.  A lot of action in the well chosen words of the poet.  Personification of fall gives this work a personal touch and connects the reader to the scene.  Images evoke mischief and playfulness, and the innocent tone is once again emphasized by the powerful and active image in the last line.
    ============
    EDITOR'S PICK
    ============
    Summer's Fall

    There's cooling of both her body and breath,
    because summer's ending pretends to be death.
    Tresses fall aground and her juices regress,
    disrobing herself for winter funeral dress.
    With nary indication that warmth will revive,
    I just can't continue, unless summer's alive.
    Give me a signal, some hope you'll survive!
    Hah! I used to be fooled by her living's decline.
    That's till I learned to sip dandelion wine.

    Warner D. Conarton, Zephyrhills, FL, USA
    COMMENTS:  Described beautifully in couplet style.  A pleasure to read.
    ============
    OTHER POEMS COMMENTED UPON BY OUR JUDGES AND/OR EDITORS
    ============
    Leafing Time

    Yellows, reds of gaudy leaves
    fall in autumn's rains of glory.
    I walk along with crunchy steps
    and revel in these cooler hours.
    Thoughts of torpid summer fade.
    The year is throttling down its pace
    with hints of rest and pleasant times,
    renewing hope to heal old woes
    and offers dreams to climb new heights.

    Roberta Pipes Bowman, Fort Worth, TX, USA
    COMMENTS:  This piece is the result of skillful craftsmanship.  As excellent word choices lead one on a lovely walk, the poet tells us that better things are still to come.  Renewal and change is evident in every line of this solid piece.  Deliberate word choices such as "torpid" and "gaudy" add good sensuality to an already well-written work.
    ============
    Once More

    Bright in the cool, splayed halo of an ambivalent sun
    drowsy oaks let slip, one by one, their copper leaves,
    which  pirouette like ballerinas as they float down
    to the bed of past years' moldering harvests.  A sudden
    gust of wind hurls acorns to the crazy-quilt below,
    where they wait for death.  Squirrel scouts reconnoitering
    the debris expertly sift the compost, taking some acorns,
    but saving some.  These they entomb without ceremony
    into dark, cold earth, thus beginning another dance.

    Lynne Craig, Terrell, TX, USA
    COMMENTS:  This poem is chock-full of marvelous and varied images of fall, pulling the reader into the activity of the moment.  Lovely language!
    ============
    Dying Season

    road winding through low
    rolling mountains
    cast a dead-
    end illusion
    blood-splatter leaves
    portrait of a dying
    season, autumn
    awaiting the cold
    white shroud of winter

    Betty Dobson, Halifax, NS, CAN
    COMMENTS:  This piece works autumn right through to winter as the reader
    follows the winding road.  Nicely stated.  Strong piece.
    ============
    Autumn Antiquities

    Ancient antiquities stand statuesque.
    Silent secrets ripple through
    the jewel-toned leaves that remain,
    as others spiral downward
    scattering confidences told under the canopy.
    Years of mystery dwell deep in the roots
    waiting until spring to be shared,
    sprouted anew in the beautiful,
    lush, green bounty of life.

    Jennifer Galvin, Stafford, VA, USA
    COMMENTS:  Beautiful progression throughout.  The phrase, "scattering confidences told under the canopy," is simply lovely!
    ============
    Desert Autumn

    Autumn arrives
    with golden leaves that dance
    on fresh cool breeze
    sparkling diamonds fill big night sky.
    Full harvest moon watches
    from vantage point above all,
    lighting the way
    of nomadic tumbleweeds
    across the lonely barren desert.

    Jeanette Oestermyer, Roswell, NM, USA
    COMMENTS:  Simple imagery reflects the sparse, yet elegant beauty of the desert in fall.  The moon lighting the way for nomadic tumbleweeds under a cold, desert sky is one of the most striking and vivid images in this poem.
    ============
    Autumn's Womb

    Modron turns color opulent,
    edematous, undulant;
    her gravid red earth
    bears ripe fruit and seed
    holds them in soiled folds
    then gives way to colder days.
    Her fecund dissolution nurtures
    inward sleep, green regeneration,
    fundal contraction, and new birth.

    Kathy Paupore, Kingsford, MI, USA
    COMMENTS:  Descriptive verse tells how autumn gives way to winter.
    ============
    Autumn Wind

    Autumn wind
    pinks my flesh, aches my bones,
    an unwelcome aide memoir
    like breath on birthday candles.
    My only wish,
    to emerge in spring
    numb to the scattered leavings
    of any moments wasted
    in this, another passing year.

    Shannon Riggs, Victoria, BC, CAN
    COMMENTS: The poet effectively uses the season as a metaphor for aging with the Autumn wind the actual active agent of this process.  "Scattered leavings" is a wonderful play on words, and hints of the fall leaves and many other things left behind.
    ============
    Fall Leaves

    Bright red, yellow and orange leaves make a whooshing sound
    as the wind blows them down from the trees.
    They gather in piles under trees and in rain soaked gutters.
    Unsightly leaves scatter the yard, killing the grass.
    Family members work relentlessly to clean up the mess.
    Should they keep working or save it for another day?
    Time is ticking away as the blinding sun sets low in the sky.
    In a few short weeks, fall will be over and winter will arrive
    and anything left will be smothered by ice and snow.

    Eileen Sateriale, Bowie, MD, USA
    COMMENTS:  Lovely sound in the first line.  Nicely set scene.
    ============
    Fall Upwards

    Lift up your eyes in fall
    to the un-white sky, either
    blue to the horizon, or by chance
    greyed with gravid clouds.
    Breathe that cool air.
    To see and to breathe again,
    when the season warns of ending,
    seems not death, but rebirth,
    or perhaps a new beginning.

    George Stateson, Grand Prairie, TX, USA
    COMMENTS:  Catchy title states the premise.  Commencement:  end or beginning.  Precise language choices.  The poet's play on "fall" plays on reader's reaction to its irony.  A nice poetic tension is achieved through this and the questioning of the deeper meanings of death and birth.  This poem is proof that "less is more."  It is what it is, without unnecessary embellishments.
    ============
    Fall Colors

    It comes riding the north wind,
    Carried by the rain,
    The first cold front of autumn.
    It leaves most of the green in the trees,
    But paints the sky a brighter blue.
    While New England glories in its red and gold,
    Southeast Texas glories in the cool blue
    Between the burnt sepia of summer
    And the gray of December.

    Katherine Swarts, Houston, TX, USA
    COMMENTS: Poet very effectively uses the comparison and contrast of basic colors in this poem to paint a picture of fall in the south.  This poem has a "rainbow" appeal.  Phrases such as "brighter blue" evoke images of nature painting the world in bold strokes of brilliant color.
    ===========
    Hurricane Season

    We stretch the summer in long, humid, windless days
    as sweat stained, dripping, the gulf swells in possibility
    a gathering of clouds, movement and circulation.
    We yearn the churn of sky, cool rain but fear the storm
    the heavy air and an unstoppable wall of water.
    For days, life becomes isobars and charts map-pins
    wind speed and that dark, evil, open eye.  Suddenly a turn
    far away from us as we breathe in long, humid windless sighs
    and stretch the summer just a little bit more.

    James M. Thompson, Baytown, TX, USA
    COMMENTS:  The longer line length and movement of this poem lends itself to the imagery, illustrating the verdant fullness yet inherently unpredictable dangerousness of a southern fall.  Beauty and tension co-exist.  A unique perspective of an atypical image of fall.
    ===========
    Birthing Autumn

    Sweetgum trees drop
    barrage of balls
    on reddish-yellow
    leaves covering
    carpet of Bermuda grass
    like joy found
    in the eyes of a
    new grandparent;
    a new cycle begins.

    Tony A. Thompson, Lufkin, TX, USA
    COMMENTS: The poet imaginatively connects the image of Sweetgum balls, which fall like ripe babies on the green Bermuda grass, to the joy of a grandparent at the birth of a baby.  A wonderful way to address the irony of fall endings being the beginning of new life, as the seeds of autumn are the seeds of new life.

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    NOVEMBER CLICHÉD MUSE

    CLICHÉ:     It's someone else's battle
    REWRITE:   Don't get involved and tattle

    Generations Recycled

    When in doubt, Pop sorted out
    With razor strap or paddle.
    We burned with lessons learned:
    Don't get involved and tattle
    And hate and pain perpetuate!

    SJ Baldock, Lancaster, TX, USA
     

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    EDITOR'S CHOICE

    EDITOR'S CHOICE

    Grandmother Autumn

    Come visit soon, it's time you do;
    the weather has turned to inspire
    spiced apple cider and sweet cedar
    fire. Maple and plum trees remind me
    of rum cakes and stories of long ago.
    I eagerly watch for you to descend, fingers laden
    in amethyst and rubies glimmering. Old
    oaks leave golden coins in every gust
    of love, and the gate swings wide.

    Avonne Griffin, Greer, SC, USA
    COMMENTS:  Well written, with subtle internal rhyme.  One almost expects to see grandmother sweep in, in a most buoyant style.  Assonance, consonance, and strong imagery tie together the sight, sound, and smell of fall in this joyful poem.  The final image of a gate swinging open evokes an expansive feeling of welcome and freedom.  A lovely piece.  The author makes good use of figurative language as the poem evokes a strong sense of sight, taste, and smell with words such as spiced, sweet, rum, rubies, and amethyst.  The poem ends on a strong note.

    There is no immediate prize associated with a poem having been picked as Editor's Choice in a particular month, only the knowledge that our editors picked it over all the other prize winners of that month.  All Editor's Choice poems for 2003 were automatically entered in the Favorite Poem of 2003 Competition.


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